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Timothy Curtis Talent and/or Voice Producer
Joined: 17 May 2007 Posts: 7
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Posted: Fri Feb 01, 2008, 13:43 (GMT) Post subject: Hey! can you'se beat me up on 'diss one? |
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It's been a while since I've posted anything here, My real job kinda gets in the way of this one... (Gotta Eat!)
Anyway, the last time I posted I got some good feedback on recording quality etc. I have since updated my "Studio" and recorded this little radio "spoof" commercial. I haven't added music, or soud effects or anything, it's just a dry read.
I put on my Kevlar.........
OK.
GO!
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One Second.mp3 |
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Melba Sibrel Talent and/or Voice Producer - Voice Seeker

Joined: 22 Dec 2004 Posts: 661
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Posted: Sun Feb 03, 2008, 15:46 (GMT) Post subject: |
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I'm not a tech geek, but it sounds okay. Just a little bit of bounce in the room, which is good for uncompressed audio. It sounds clean...no buz that I can hear.
The read and character is nothing special, but it's okay. You might have a few seconds there you could drop into a well-produced character reel.
Is that what you were wanting to know?
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Timothy Curtis Talent and/or Voice Producer
Joined: 17 May 2007 Posts: 7
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Posted: Sat Feb 09, 2008, 22:26 (GMT) Post subject: |
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Thank you,
Yes, I know I have a long way to go - and my "studio" isn't exactly what you could call "professional" or anything. I'm working on more snippits that I can incorporate into a demo reel in the near future.
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Connie Terwilliger Talent and/or Voice Producer

Joined: 14 Jul 2003 Posts: 409
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Posted: Sat Feb 09, 2008, 23:28 (GMT) Post subject: |
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| Timothy Curtis wrote: | Thank you,
Yes, I know I have a long way to go - and my "studio" isn't exactly what you could call "professional" or anything. I'm working on more snippits that I can incorporate into a demo reel in the near future. |
Anything that you "work" on for a long time should probably NOT go on your demo. Work on lots and lots of stuff and develop your style, then start collecting copy that would work.
One of my rules of thumb for knowing when you are ready to do a demo is that you know that you can go into a studio and have someone hand you a piece of copy and in about a minute have it ready to deliver - word perfect - and have about 5 other options in your head - and be able to instantly change your delivery to suit the client/producer.
The risk with doing it piece meal at this stage - the learning stage - is that you will spend so much time to perfect a 20 second read that you would be hard pressed to easily recreate when you go into the studio for an actual job with different copy. If you are self-directing and have the luxury of playing back the snippet they liked and can spend the time to get back to that "read," then fine, but if there is a client on the line, or you are in a studio and you can't pull the rabbit out of the hat, well, you get the idea.
_________________ Connie Terwilliger - New Yorker Cartoon
SaVoa #07013
Member MCA-I since 1987
www.mca-i.org |
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Timothy Curtis Talent and/or Voice Producer
Joined: 17 May 2007 Posts: 7
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Posted: Mon Feb 11, 2008, 01:54 (GMT) Post subject: |
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Connie,
You are absolutely right. I need to work alot more on the cold delivery, than "working out" something that sounds good. Part of the struggle I'm having so far is that I don't have a stack of scripts to work from, and my writing skills are less than what you would call "poetic" or even cogent as far as that goes .....
Did I mention I wrote the script for that snippit? - See what I mean?
Anyway thanks again!
Maybe with some coaching, a little luck, a lot of work, and a winning smile (does that even count in voice-over?) One day I might even get paid for it..........
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Bob Bergen Talent and/or Voice Producer

Joined: 18 Jan 2005 Posts: 224
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Posted: Mon Feb 11, 2008, 05:38 (GMT) Post subject: Re: Hey! can you'se beat me up on 'diss one? |
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| Timothy Curtis wrote: | It's been a while since I've posted anything here, My real job kinda gets in the way of this one... (Gotta Eat!)
Anyway, the last time I posted I got some good feedback on recording quality etc. I have since updated my "Studio" and recorded this little radio "spoof" commercial. I haven't added music, or soud effects or anything, it's just a dry read.
I put on my Kevlar.........
OK.
GO! |
Hey bud!
Gotta agree with the talented and adorable Connie. Over working the copy will just make it stale and stiff.
Unless you make a good living as a copy writer, never write your own. Best place to gather commercial copy to work on is magazines.
Ps-you share the same name as one of the VO agents at William Morris in LA.
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Connie Terwilliger Talent and/or Voice Producer

Joined: 14 Jul 2003 Posts: 409
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Posted: Mon Feb 11, 2008, 15:21 (GMT) Post subject: |
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Magazine copy works great - with the caveat that you "may" have to rewrite it slightly for the set that you end up using down the road as a demo.
Sometimes the headlines don't work as they are predicated on a single image. Once you collect a bunch of stuff, you also then need to look at it from the point of view of the ad. You don't want to have all Announcer or Spokesperson reads. That is a simple tweak of the pronouns. Change the they's and them's to I's and we's and us's and vice versa.
But for the initial practice, reading it straight from the ad will work. Break it down just like you would a commercial.
(Oh, and thanks Bob - I'm blushing.)
_________________ Connie Terwilliger - New Yorker Cartoon
SaVoa #07013
Member MCA-I since 1987
www.mca-i.org |
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