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LEADS AND READS - WEEK OF 09/03 thru 09/09
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Scott Pollak
Talent and/or Voice Producer - Voice Seeker



Joined: 05 Mar 2004
Posts: 3828

PostPosted: Mon Sep 10, 2007, 01:22 (GMT)    Post subject: Reply with quote

Colin Campbell wrote:


You know Arlene that's a very good point. I keep thinking if I don't slam it in at the end, they'll hit stop.


But will that make or break your audition? Either they like it or they don't. They're not going to NOT call you because your slate was there too early or too late. Most people don't even slate auditions anyway.

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Colin Campbell
Talent and/or Voice Producer - Voice Seeker
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Joined: 27 Feb 2006
Posts: 5287

PostPosted: Mon Sep 10, 2007, 01:43 (GMT)    Post subject: Reply with quote

That's why I started putting them at the end. Plus if it is tight, it makes sort of a watermark.
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Last edited by Colin Campbell on Mon Sep 10, 2007, 01:49 (GMT); edited 1 time in total
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Marilyn Taylor
Talent and/or Voice Producer



Joined: 30 Oct 2006
Posts: 400

PostPosted: Mon Sep 10, 2007, 01:44 (GMT)    Post subject: Reply with quote

scott, thanks for taking time to listen to my recent posting...at the risk of sounding like a total idiot....instead of just a partial one...what do you mean by db...is that short for something? I probably know but I just want to be sure...you've told me before my volume is low, but it doesn't sound low at all to me..maybe I'm adjusting the worng thing-a ma-bob...

now, back to mtv and to check out your gig...see ya!

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Scott Pollak
Talent and/or Voice Producer - Voice Seeker



Joined: 05 Mar 2004
Posts: 3828

PostPosted: Mon Sep 10, 2007, 01:59 (GMT)    Post subject: Reply with quote

Marilyn Taylor wrote:
scott, thanks for taking time to listen to my recent posting...at the risk of sounding like a total idiot....instead of just a partial one...what do you mean by db...is that short for something? I probably know but I just want to be sure...you've told me before my volume is low, but it doesn't sound low at all to me..maybe I'm adjusting the worng thing-a ma-bob...

now, back to mtv and to check out your gig...see ya!


(shaking his head... laughing gently) Marilyn, Marilyn, Marilyn.... what ARE we going to do with you? Okay, we can't all be master recording gurus like Colin and a few others here, but if we're going to get into this business, there are a few basics that MUST be learned, or regrettably we'll be forced to ban you from the profession, no matter how darned likeable you are.

db is the common term for decibel, which you undoubedly know as a reference for volume. If you aren't aware of how loud you can safely record your incoming signal (i.e.: at what maximum db level) without distortion, then you need to read the manual or help topics for whatever recording software you're using.

I often receive demos or samples from other folks and when I open them up in Cool Edit Pro the waveforms are ridiculously low. This most likely means they recorded at a very low level. You want to record at the highest allowable level WITHOUT peaking out. That means without bleeding over into distortion. This way you're getting the most out of the signal you're sending into your computer. Just listen to Colin's auditions back-to-back with yours or Diane's. It's not just a matter of volume; it's a matter of 'presence' and 'punch' and power. If a seeker has to crank his volume WAY up to hear you, it's an instant tip off that he's listening to a beginner.

I hope this helps a bit. Colin and all the others who are WAY more qualified than I am, feel free to jump in here and help out!

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Connie Terwilliger
Talent and/or Voice Producer



Joined: 14 Jul 2003
Posts: 409

PostPosted: Mon Sep 10, 2007, 02:23 (GMT)    Post subject: Reply with quote

It's more than how loud it sounds - it's also how loud it looks! What recording software do you use?

When you playback the files you can see the waveform on the screen can't you? Along side one edge of the screen you should see some little numbers that - starting from the center line of the waveform - go from Infinity (if it is set at decibels) or Zero (if it is set a percentage). There is another thread recently that included a lot of talk about how "loud" things are - http://voiceoversavvy.com/ftopic3365.html. It was about normalization, but there was a lot of talk about capturing proper sound level.

And Scott is right about learning this stuff. If you have a home studio and are selling your services as a voiceover professional, knowing how to capture clean audio that meets certain minimum specifications is part of being a pro.

It's part of the process of knowing when you are ready to market yourself this way. If you are in a market where you can go into the studios to record and there is an engineer to fuss over these details, then simply hire someone to come in and get your "audition" studio ready. But if you are marketing to the ethernet, you are doing yourself a disservice if you aren't ready to compete at a certain level (no pun intended).

It took me some time to get my digital studio working correctly. But I read the manual and did the tutorials to make sure I knew how to deliver high quality files. And I still get my more technically savvy friends on the phone to help me trouble shoot things when they crop up. I have the darndest time getting the right buttons pushed on my Phone Patch system, because the kitten keeps stepping on some of the buttons when I'm not looking. I have a cheat sheet now to double check if I can't hear myself, or if the client can't hear me.

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Marilyn Taylor
Talent and/or Voice Producer



Joined: 30 Oct 2006
Posts: 400

PostPosted: Mon Sep 10, 2007, 02:34 (GMT)    Post subject: Reply with quote

Thanks Scott and Connie, I'll go to the manual to figure it out...soon as I figure out how to get the microwave to stop beeping...seriously thanks for the helpful info....can't wait to get into it all...tomorrow Very Happy
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